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My binding for Goethe’s Faust (Harrap & Co., 1925) uses one of the illustrations by Harry Clarke, enlarged and simplified, worked in gold on black leather. The box of patterned silk fabric emphasizes the angularity of the design.
My binding for Goethe’s Faust (Harrap & Co., 1925) uses one of the illustrations by Harry Clarke, enlarged and simplified, worked in gold on black leather. The box of patterned silk fabric emphasizes the angularity of the design.